Friday, June 18, 2010
PLP at Mixed Media, Hamilton
Thursday, June 3, 2010
PLP at Mixed Media, Hamilton
Invited artists were sent/delivered an empty cigar box, roughly the size of a hardcover book. Over the course of one week, participants were expected to create a 'book' a day, reflective of each person's day-to-day activities and artistic process. Books were ideally made while on the go; boxes were intended to be carried with the participant, where books were to be added and collected each day for seven days.
Participating artists:
Aimee Lee (Seoul, Korea)
Amber Landgraff (Toronto)
Cara Spooner (Toronto)
Daphne Gerou (Toronto)
Debbie Danelley (Winnipeg, MB)
Deborah Margo (Ottawa, ON)
Fiona Bailey (Toronto)
Jen Pilles (Oakville, ON)
Laura Calvi (Halifax, NS)
Laurie Kang (Toronto)
Margaret Flood (Guelph, ON)
Margaret Legue (Forest, ON)
Morag Schonken (Halifax, NS)
Sheila Jonah (Toronto)
Simon Rabyniuk (Toronto)
Stephanie Cormier (Toronto)
Stephanie Vegh (Hamilton, ON)
Sylvia Ziemann (Regina, SK)
The Portable Library Project is organized and curated by Tara Bursey.
Poster design: Tara Bursey
Friday, March 19, 2010
PLP at Mixed Media, Hamilton
Monday, October 12, 2009
PLP at Roberts Street Social Centre
Sunday, October 4, 2009
PLP at Roberts Street Social Centre
Invited artists were sent/delivered an empty cigar box, roughly the size of a hardcover book. Over the course of a week, participants were expected to create a 'book' a day reflective of each person's day-to-day activities and artistic process. Books were ideally made while on the go; boxes were intended to be carried with the participant, where books were to be added and collected each day for seven days.
How do working artists fit artistic production into everyday life? Challenging oneself to make work outside of a studio setting is one way. One element of The Portable Library Project serves as a challenge to artists to adopt a portable art practice to fit the demands of the life of a working artist, which often entails a job or two in unrelated work environments. The portability of the book format is a natural basis for the project, which also encourages artists to explore and comment on the relationship between the book and the art object.
Participating artists:
Aimee Lee (Seoul, Korea)
Amber Landgraff (Toronto)
Cara Spooner (Toronto)
Daphne Gerou (Toronto)
Debbie Danelley (Winnipeg, MB)
Deborah Margo (Ottawa, ON)
Fiona Bailey (Toronto)
Jen Pilles (Oakville, ON)
Laura Calvi (Halifax, NS)
Laurie Kang (Toronto)
Margaret Flood (Guelph, ON)
Margaret Legue (Forest, ON)
Morag Schonken (Halifax, NS)
Sheila Jonah (Toronto)
Simon Rabyniuk (Toronto)
Stephanie Cormier (Toronto)
Stephanie Vegh (Hamilton, ON)
Sylvia Ziemann (Regina, SK)October 11th-November 1st, 2009
Opens Sunday, October 11, 2-5pm
Anchor Archive Zine Library
at the Roberts Street Social Centre
5684 Roberts Street
Halifaxhttp://www.robertsstreet.org/n/
Poster design: Tara Bursey
Friday, July 10, 2009
PLP at lowercase gallery
Stephanie Vegh on the Portable Library Project
Wednesday, July 1, 2009
Laurie Kang
Sheila Jonah
Sheila Jonah is a Toronto based visual artist who delights in the daily game of collecting bits and pieces, ephemera, old books, pieces of wood, used cool stuff, thrown out treasures and anything that can be recycled for printmaking, papermaking or handmade artist books. A graduate of OCAD majoring in Printmaking, Sheila has studied and made art in New Zealand, Winnipeg, Ottawa and Vancouver (which by far has the best skiing and kayaking). She now spends her time in the Historic Distillery District in downtown Toronto working at PROOF Studio Gallery and drinking Balzac’s Coffee, eating Soma chocolate, Eccles cakes and happily printing away.
Monday, June 29, 2009
PLP at lowercase gallery
Invited artists were sent/delivered an empty cigar box, roughly the size of a hardcover book. Over the course of one week, participants were expected to create a 'book' a day, reflective of each person's day-to-day activities and artistic process. Books were ideally made while on the go; boxes were intended to be carried with the participant, where books were to be added and collected each day for seven days.
Participating artists:
Aimee Lee (Seoul, Korea)
Amber Landgraff (Toronto)
Becky Johnson (Toronto)
Cara Spooner (Toronto)
Daphne Gerou (Toronto)
Debbie Danelley (Winnipeg, MB)
Deborah Margo (Ottawa, ON)
Fiona Bailey (Toronto)
Jen Pilles (Oakville, ON)
Laura Calvi (Halifax, NS)
Laurie Kang (Toronto)
Margaret Flood (Guelph, ON)
Margaret Legue (Forest, ON)
Morag Schonken (Winnipeg, MB)
Sheila Jonah (Toronto)
Simon Rabyniuk (Toronto)
Stephanie Cormier (Toronto)
Stephanie Vegh (Hamilton, ON)
Sylvia Ziemann (Regina, SK)
The Portable Library Project is organized and curated by Tara Bursey.
July 4-31, 2009
Opens Saturday, July 4th, 4 pm (BBQ at 6pm)
lowercase gallery
at the Regional Assembly of Text
3934 Main Street
Vancouver
http://theportablelibraryproject.blogspot.com
Poster design: Jo Cook
Tuesday, March 10, 2009
PLP Exhibition Dates
I am thrilled to announce the first confirmed tour dates for the Portable Library Project!
July 2009
lowercase gallery and reading room
at the Regional Assembly of Text
3934 Main Street
Vancouver, BC
Opening: Saturday, July 4th. 4pm
October 2009
Roberts Street Social Centre/Anchor Archive
5684 Roberts Street
Halifax, NS
Opening: TBA
I will be traveling with portable libraries in tow to Vancouver to mount the first exhibition in July. Wow! For more on the lowercase reading room and the Regional Assembly of Text, read on, or check out their blog and website.
"The lowercase reading room, “one of the richest collections of unusual zines and artist-made books in the country,” is located at 3934 Main Street in Vancouver, BC. Assembled from the combined collections of Jo Cook, Rebecca Dolen and Brandy Fedoruk, the reading room houses over 500 books in a 9′ x 3′ space at the Regional Assembly of Text, a gift store of hand-made textual oddities. Open seven days a week from noon until 5 pm, the reading room provides a quiet place to read or research the endless possibilities for self-publishing. There are full-colour comics, photocopied grocery lists, zines about personal obsessions and enthusiasms. There are pamphlets and manifestos, the rude and crude and X-rated, alongside lovingly handstitched books with fur-lined covers. An afternoon of browsing may uncover books about holidays from hell, brochures about the end of the world, a survey zine about New Year’s resolutions and a quiz about toast.
"The first systematic defence of one’s right to self-publish was written by John Milton in his Areopagitica in 1644. Milton argued that the survival of an ideology-based state hinges on its tight control of ideas and that state control is impossible to challenge unless self-publishing is allowed. Whether or not the authors of the books in the lowercase reading room collection have read Milton, they share the impulse to create works without censorship. The self-publisher has a dream: she sees the world and its variety of creatures and inventions, she hears the many forms of speech and sees its written symbols, she is not afraid of inconsistencies. She welcomes accidents and the beauty of human imperfection that is edited out by homogeneous ideologies."
Saturday, February 21, 2009
Stephanie Vegh
Dashiell Hammett's Violent Masterpiece Red Harvest
(2009)
"This library contains seven distillations of a second-rate paperback print of hard-boiled detective writer Dashiell Hammett’s Red Harvest, which depicts the disorientation and downfall of the Continental Op as he struggles to purge the criminal lifeblood of the corrupt mining town of Personville, familiarly known as Poisonville. The individual book-objects are tactile interpretations of key elements of the narrative, each attuned to the commonplace violence of Red Harvest with its masculine trappings of leather, gin and dead matches for cigars long since extinguished."
Emerging artist and writer Stephanie Vegh was born in Hamilton, Canada in 1980, where she studied Art and Comparative Literature at McMaster University. She completed her MFA at the Glasgow School of Art and has since served as Artist-in-Residence with the Repton School in Derbyshire, England and written essays and articles for various galleries and publications throughout the United Kingdom and Canada.
Tuesday, February 17, 2009
Margaret Legue
Hoarding Memories
(2008)
"My current practice is centred around certain historical aspects of WWII with allusion to social/political movements of the 60s-70s. A lot of my research is done through libraries and museums...I'm interested in the archival/journaling aspect of (The Portable Library Project) in that it's an integral part of how i conceptually base my art, taking a look at past historical events and propaganda from a contemporary standpoint."